[****] ISBN: 9781932907001
This is the best book on screenwriting that I've read so far. It can't take the place of basics like "Screenplay: The Foundations of Screenwriting" by Syd Field. But whereas Syd's book shows you the form of a screenplay and gives you the overall strategy for creating one, Blake's book gives you the nitty-gritty details and tactics for actually getting one written.
Look for even more guidance on creating a killer logline than "Crafty Screenwriting" gave. Look for a better explanation of genre than I've seen elsewhere (which is expanded on in "Save the Cat! Goes to the Movies"). Look for the amazing Black Snyder Beat Sheet (BS2) that gives a page by page breakdown of what goes where in your movie (every movie that works) and why. This is a must read for prospective screenwriters. And it's fun to read, too.
Showing posts with label screenwriting. Show all posts
Showing posts with label screenwriting. Show all posts
Friday, March 07, 2008
Wednesday, February 20, 2008
Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told (Blake Snyder)
[***] ISBN: 1932907351
I enjoyed the tone and perspective of this book and will be reading its predecessor, "Save the Cat!", in order to get a better understanding of how the plots can be broken down. The examples in this volume shed much light on how various sorts of films all share the same basic plot. Yet the book also shows how any basic outline, when done well, can be made fresh and alive. And when done really well, the same old plot becomes something new and unique. Recommended for any author, especially those writing screenplays. Warning: the plot breakdowns do contain spoilers (I skipped the ones for films I have not seen and plan to) and get a bit repetitive.
I enjoyed the tone and perspective of this book and will be reading its predecessor, "Save the Cat!", in order to get a better understanding of how the plots can be broken down. The examples in this volume shed much light on how various sorts of films all share the same basic plot. Yet the book also shows how any basic outline, when done well, can be made fresh and alive. And when done really well, the same old plot becomes something new and unique. Recommended for any author, especially those writing screenplays. Warning: the plot breakdowns do contain spoilers (I skipped the ones for films I have not seen and plan to) and get a bit repetitive.
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