Make Love *the Bruce Campbell Way (Bruce Campbell)

[**] ISBN: 9780312312602

This is on my 'read' shelf. But I didn't finish it. I just stopped reading it. I suppose I might, under the right circumstances, make it to the end. It would be sort of like watching a silly television episode. This time, I was not in the correct mood, I was looking for an actual book with an actual story.

Born Standing Up: A Comic's Life (Steve Martin)

[****] ISBN: 9781416553649

Sometimes I think of Steve Martin like an older cousin I never met. We both lived in Garden Grove, California (I even performed on the stage of the theater at Garden Grove High School, which he attended) and we both worked at Disneyland (albeit 20 years apart). It's been fun watching him make good and this book does a good job chronicling that process, up through the beginning of his film career.

What works is that he doesn't sensationalize anything, but he doesn't shrink away from emotional issues, either. He really does seem to want to tell it like it was, successes and failures. What also comes through is the amount of persistent hard work it took to be an overnight success. He seems to personify the saying the luck is being ready to take advantage of an opportunity when it comes.

For any fan of Steve Martin, this is a must read.

In Cahoots: A Novel of Southern California, 1953 (Malcolm Cook MacPherson)

[*] ISBN: 9780679422044

If this book weren't so darn encouraging to me, as an aspiring author, I would have never finished reading it. I figure if this book can be published by a major publisher, someday, something I write can get published, too. Well, maybe I would have finished it just because it's set in approximately the same time and place (pre-Disneyland Orange County, CA) of the book I'm writing for National Novel Writing Month. This doesn't mean that I intend to steal ideas from it, just that I found some clues for coloring the world I'm creating.

What worked: the characters were sweet and kooky, some passages were pleasantly evocative of time and place, the overall idea of California as a land of dreams.

What didn't work: the author started right off throwing bits of localized jargon at the reader without explaining it and never looked back, most of the kooky characters were never really fleshed out into individuals that we actually cared about - they seemed to be just place holders and cogs in the plot - what they did never really jelled into funniness, and the plot was convoluted enough for an amazing mystery or spy novel but was not well drawn enough to overcome the other faults of the book.

As another reviewer noted, if you're a big fan of Disney or Disneyland, you might enjoy skimming through this. Otherwise, it's just another excuse for you to say to yourself, "I could write a book better than that."

You're Lucky You're Funny: How Life Becomes a Sitcom (Phil Rosenthal)

[***] ISBN: 9781597771436 (audio) ISBN: 9780452288782 (paperback)

This book is an almost perfect resource for anyone who is trying, or considering trying, to break into television scriptwriting, especially for sit-coms. For them it's really a four-star book. It's loaded with keen insight into the world of television production and writing.

It's also a four-star book for anyone who is a fan of the show Mr. Rosenthal created, Everyone Loves Raymond. It's loaded with hilarious behind-the-scenes stories about how the show came to be and the people involved.

For everyone else, it's worth at least three-stars, especially the audio edition where you get to hear the author, in his very ethnic New York voice, tell all the stories and do the voices and play some recordings. It's just plain funny.

It's Good to Be the King: The Seriously Funny Life of Mel Brooks (James Robert Parish)

[****] ISBN: 9780471752677

I didn't realize that Mel Brooks took his work quite so seriously. I also didn't know how hard he had to work to break into show business. I suppose I should have. Most entertainers are only overnight sensations after they put in years of hard work and paying dues.

I learned a few things about screenwriting and writing comedy, in particular. After writing a script in 30 days myself, working mornings and weekends, I thought someone that devoted full time to it would be able to knock one out in a few months. This especially seemed true of Mel Brooks movies, which seem so unrehearsed at times. But no, he took years to write most of them. And he usually did it with a writing partner or two. Comedy is probably easier to write when you have another sense of humor around to fill in your blind spots.

The biographer himself found a good structure for Mel's story and usually writes well. The text is full of attributions, but doesn't come off as a dry academic exercise. The one disappointing spot I found was the very sparse treatment given to developing Blazing Saddles. This is especially puzzling given the importance of this work in bringing Mel into the national spotlight. No matter, I recommend this to anyone that wants to learn more about this great talent.

Knight Life (Peter David)

[**] ISBN: 9780441010776

This got much higher ratings from readers on Amazon.com than I can justify giving it. I guess after reading several of Peter's later works (all based on licensed properties) and after reading the preface he added about all of the work he put into 'improving' this book, I was expecting 300+ pages of intrigue, fun and giggles. The concept certainly seemed to be there. I just don't think this book executed it.

My problems with the story are several: (1) The plot is pedestrian. It never really engaged my interest. It was pretty obvious that Arthur would become mayor of New York. There were too few surprises in how he got there. (2) The characters were stereotypical. We already know Arthur is tragic and heroic and that Morgan Le Fey is wicked. But shouldn't we (or they) know more about why after a thousand or more years? (3) The comedy implied by the situation was never really given a chance to pay off. Either it was far too subtle for my feeble brain, or I was in a bad mood, or it just wasn't there.

Even so, I was glad to read one of Peter David's earlier works (even though it is updated). I did read it all of the way through. I won't stop looking for and reading his other works.

Here's Johnny! (Ed Mcmahon)

[**] ISBN: 159859088X (CD) 9780786285785 (hardcover)

This was enjoyable, but I was hoping for so more. Over the course of four-plus hours, Ed regales the listener with memories of Johnny Carson. Often these are new and funny (which is what I expected), sometimes only one or the other, all too often they are neither.

It's obvious that Ed Mcmahon has a high regard for Johnny Carson and he wants to make a convincing case for us to like him, too. Here and there, there are genuine insights into the man that was our late-night master of ceremonies for thirty years. Ed also shares some interesting background on his own journey into television and how he and Johnny were thrown together. Most of the time, however, we are left bobbing on the surface wishing we could see beneath the water line.

How many times must Ed remind us he was a side-show barker? A marine? A mini-celebrity in Philadelphia local television? Why must he tell us the well-known Ed Ames "hatchet throwing story" at all, much less two times or more?

I still have fond memories of Johnny and Ed. They were the "forbidden fruit" of after-bedtime television when I growing up. In this audio book, Ed adds a few more good memories. I just wish he would have added more.

I Shouldn't Even Be Doing This! (Bob Newhart)

[***] ISBN: 1401384862 (abridged CD) 1401302467 (hardcover)

I love Bob Newhart. My dad shared his humor with me, so I shared this book with him for his birthday and then downloaded the audio version from the library. It had me giggling in the car. Even routines that are as old as I am (since both my life and Bob's career started in the 1950's) brought at least a smile. They're no longer fresh. But they are still funny.

What's richer is hearing Bob tell them in the context of the story of his career. Sometimes he let's us in on where the idea came from, or how much work it was to create or how someone stole his material. His life has been interesting, but not overly so (other than being a celebrity). He's just this guy from Chicago.

There's nothing shocking here. Yes, he smoked and quit. Yes, he drank and still does. But, thank God, neither has led to real tragedy. He courted and stayed married. He raised kids. He has not renounced his faith or church. He kept working and still does. I still like Bob Newhart.

Rum Punch (Elmore Leonard)

[***]

I'd say this was a pretty decent Elmore Leonard book. Not great. But decent. I think the trouble that I had was that it was hard to find a character to really like and identify with. I had the same trouble with the movie (Jackie Brown), but the visual style of that made it fascinating to watch. In this one, many of the characters are just plain nasty and I didn't want to spend all that much time with them.

The Third Policeman (Flann O'Brien)

[*]

One of the few books I have started that I actually did not finish. Perhaps I would have slogged through it if I felt like I had some leisure time (that is, time to waste). But I didn't feel that way and this is certainly even more esoteric and off-beat than I was expecting. Somehow this abstract 'novel' (with no real plot, how can it really be a novel?) is referenced or related to the television show Lost. I hope I read enough to figure out how. Something about death and hell and infinite loops, but it was also supposed to be funny (in some Irish way that I didn't understand). We'll see.

P.S. I still haven't seen how this relates to Lost (11/25/06)

Big Trouble (Dave Barry)

[***]

I did finished this rather quickly. Some of the scenes in the movie were word-for-word what was in the book. Some weren't. I think I actually liked the movie a bit more. The way the book laid out the story and characters didn't quite ring true, but it was still enjoyable. Pretty good for a first effort. I've read that his second novel wasn't quite as well received.