High Five (Janet Evanovich)

[***] ISBN: 9780312203030

I liked this quite a bit better than the first book in the series, One for the Money. The main character, Stephanie, has finally gotten some brains and manages to actually solve a case. The biggest problem is that the police and Treasury department, with the amount of manpower they had dedicated, should have solved it long before she did.

So, I think I'm done. She's still not that smart, takes too many chances, and is surrounded by too many crazies and coincidences. That may be part of the fun for her regular readers, and it keeps the plots fast paced, but it doesn't completely work for me.

Eclipse One: New Science Fiction and Fantasy

[**] ISBN: 1597801178

I wasn't as impressed as I was supposed to be. I think I read a recommendation for this on someone's blog and figured it was time to be up-to-date in my short story reading. But this can't really be the good stuff, could it? I can't say I read a single story that really knocked my socks off. There was one about a hermaphrodite bigfoot that captured my attention and then lost my respect when the ending imploded. To top it off, I wasn't that impressed with the binding. This one gets two stars for trying, but I'm sure there are better collections out there.

Plotting and Writing Suspense Fiction (Patricia Highsmith)

[**] ISBN: 0871160722

I skimmed through this and read a bit of several chapters. Interesting, but not earth-shattering. Mostly it recounts how Ms. Highsmith, the author of Strangers on a Train and The Talented Mr. Ripley, approached her writing. It's filled with the typical stuff about twisting any old idea into the plot of a whodunnit by combining it with other ideas and real life incidents and allowing them to ferment. A little bit about mechanics, but not enough to suit me. I suppose if I was more interested in her style of writing, I'd be more interested in how she did it.

Writing the Breakout Novel (Donald Maass)

[****] ISBN: 9781582971827

In this book, a literary agent gives his perspective on what an author needs to do, in their writing, to break out of the mid-list and into the best-seller lists. What's interesting is that there may not really be anything new here. It seems as though I have heard much of this advice before. But Mr. Maass presents it in such a compelling and straightforward fashion that it seems new. And it seems right. His thoughts should help me, and any author with their current work. I know I will have to return to this book more than once when I'm ready to take things to the next phase. Recommended.

One for the Money (Janet Evanovich)

[**] ISBN: 9780312362089

I hope these get better. I got this title from the library because I read an interview with the author in Writer's Digest and liked her approach to writing. It also sounded like I might like her books. I have mixed feelings.

On the one hand, I stuck with it and read the whole thing through in only six evenings. I was fascinated by this brassy, klutzy character and her predicament. The characters and setting were vivid, the pace was (mostly) unrelenting and the thrills and mysteries kept piling up.

On the other hand, the coincidences kept piling up as well. I didn't like that. Just how likable is this dame that her new acquaintance Ranger would bail her out so many times? Isn't it amazing that her brother in law is a cop that can train her to use a gun? How did she ever survive so long in New Jersey by being so stupid and reckless? Why should anyone like a book where the mystery is solved by someone so stupid just happening to be in the right place at the right time? Hello? Stephanie Plum should have been staking out the butcher shop long before 40 pages from the end of the book.

No doubt Ms. Evanovich has figured this all out and her plots have improved. Otherwise, she wouldn't have the fan base she has. Even some of her loyal readers have made negative comments about how much more raw this first book feels. I will have to try another one on for size. And I'll keep busy figuring out how I would do it better.

Tides of Light (Gregory Benford)

[**] ISBN: 9780553282146

This is the fourth book in Benford's "Galactic Center" series, and the second one set far in the future. I finally liked it. But it was a tough slog through the middle third or so. I think the whole book could have used the tightening of another draft.

To his previous war between man and mechs, the author adds insectoid cybers and other organic and inorganic lifeforms that may or may not be sentient. The fascinating and frustrating part of this book was the totally alien point of view that the cybers bring to it. That might be enough for some readers. But the only thing that really kept me going was desiring the payoff for the investment that I'd made in the previous book.

There are two more books in the series. I hope Professor Benford does not disappoint.

The Measure Of a Man: A Spiritual Autobiography (Sidney Poitier)

[***] ISBN: 9780061355431 [audio], 9780061357916 [hardcover]

I think I could tell what Mr. Poitier was trying to do in this book, as evidenced in his title. But I don't think he quite does it. He doesn't really give us anything spiritual on which to hang our hat.

Yes, he waxes philosophical in many places. But I don't think these ramblings can really be counted as spiritual or that enlightening. They really just come across as the opinions of one senior citizen looking back on life. Without any corroborating accounts or data, that all they really are: ramblings and opinions.

On the other hand, when the author really sticks to what he knows - his life - then the story tends come alive and speak. It's in these moments where we actually get some actual glimpses into the 'spirituality' of the man. He doesn't have to pretend to be a philosopher to reveal his spiritual or philosophical side. He should stay with the facts.

Still a fun listen, in the audio version.

Crafty Screenwriting: Writing Movies That Get Made (Alex Epstein)

[****] ISBN: 9780805069921

If this isn't the first book you read about writing a script, it ought to be the second. The author has very pointed and practical advice about all of the phases of the process of getting a script actually made into a movie. He starts with the concept (the hook) and follows it all the way through to the rewrite and then shopping it around. Every step focuses on making sure that the script you have will capture the attention of a producer that will pay money to make it.

My Stroke of Luck (Kirk Douglas)

[****] ISBN: 9780060081416 (audio) 9780060009298 (hardcover)

I really enjoyed this book. Who would have thought that Kirk Douglas was so poetic, so thoughtful, so inspirational? While this short volume does focus in on the changes a minor stroke brought to his life, he also manages to give some insights into his life, his family, and his soul. Anyone with older parents struggling with health issues (stroke or otherwise) will benefit from reading this book.

Born Standing Up: A Comic's Life (Steve Martin)

[****] ISBN: 9781416553649

Sometimes I think of Steve Martin like an older cousin I never met. We both lived in Garden Grove, California (I even performed on the stage of the theater at Garden Grove High School, which he attended) and we both worked at Disneyland (albeit 20 years apart). It's been fun watching him make good and this book does a good job chronicling that process, up through the beginning of his film career.

What works is that he doesn't sensationalize anything, but he doesn't shrink away from emotional issues, either. He really does seem to want to tell it like it was, successes and failures. What also comes through is the amount of persistent hard work it took to be an overnight success. He seems to personify the saying the luck is being ready to take advantage of an opportunity when it comes.

For any fan of Steve Martin, this is a must read.

Voyagers (Ben Bova)

[*] ISBN: 9780786154289 [audio] 9780385148900 [hardcover]

An alien encounter novel that probably felt outdated when it was published. It is full of descriptions of technology and behavior that was probably not even real at the time. Both felt clumsy and misunderstood. Perhaps the story was not quite as boring back then, which is why it still gets good marks from other reviewers.

This tries to be a reality-based account of humanity's reaction when an alien spacecraft suddenly arrives in our solar system. Odd radio signals are found to emanate from Jupiter. Then a powerful telescope spots the spacecraft orbiting that planet and watches it turn toward earth. The story follows a motley group of scientists and others, falling in and out of bed with each other, using computers that take minutes to program and hours to do calculations, as they jockey for power.

None of the characters ever really sprang to life for me. All were there to serve the plot and not vice versa. I liked the overall premise of the story. It's too bad much of the book felt like padding. Five pounds of potatoes in a ten pound bag. I won't be picking up the next books in the series to see what happens.

Sins of the City: The Real Los Angeles Noir (Jim Heimann)

[***] ISBN: 9780811823197

This is a concise portrait of Los Angeles during the noir period (1930s to 1950s) as captured by various news and other photographers. A short essay at the front sets the stage, but it's the photos that tell the story of a city growing up.

The Little Sister (Raymond Chandler)

[**] ISBN: 0375415025

I read this while writing a first-person novel set in the same time period and setting, early 1950s Hollywood. It was a great help for kickstarting that process, and there is some genuinely inspired prose in this book, but I ultimately found the story lacking. The connections between characters and the leads the detective follows were a bit too tenuous. Marlowe's observations of other characters is very penetrating, but he came across as a bit too morose and unmotivated. But that may have been part of the point of the book.

This is not considered one of Chandler's strongest stories by many critics. I can't recommend it, but I liked it enough that I will definitely read some more of his work. I may even pick up a copy of this omnibus volume, in order to have it on hand for future reference.

American Pastoral (Philip Roth)

[***] ISBN: 9780395860212

On the opposite end of the spectrum from In Cahoots is this Pulitzer Prize-winning book. While I did not finish reading this title (yet), I found that I liked the smooth and subtle prose and the rich character landscape created by the author. I understand why it won. Why didn't I finish it then and why didn't I give it more stars? Because it got pushed aside for some different reading I needed to do during NaNoWriMo and it became due at the library. Because I didn't finish it, I can't say that I recommend it yet, either. I may come back and try it again, mainly because I want to work my way through several Pulitzer books to see what make them tick.

In Cahoots: A Novel of Southern California, 1953 (Malcolm Cook MacPherson)

[*] ISBN: 9780679422044

If this book weren't so darn encouraging to me, as an aspiring author, I would have never finished reading it. I figure if this book can be published by a major publisher, someday, something I write can get published, too. Well, maybe I would have finished it just because it's set in approximately the same time and place (pre-Disneyland Orange County, CA) of the book I'm writing for National Novel Writing Month. This doesn't mean that I intend to steal ideas from it, just that I found some clues for coloring the world I'm creating.

What worked: the characters were sweet and kooky, some passages were pleasantly evocative of time and place, the overall idea of California as a land of dreams.

What didn't work: the author started right off throwing bits of localized jargon at the reader without explaining it and never looked back, most of the kooky characters were never really fleshed out into individuals that we actually cared about - they seemed to be just place holders and cogs in the plot - what they did never really jelled into funniness, and the plot was convoluted enough for an amazing mystery or spy novel but was not well drawn enough to overcome the other faults of the book.

As another reviewer noted, if you're a big fan of Disney or Disneyland, you might enjoy skimming through this. Otherwise, it's just another excuse for you to say to yourself, "I could write a book better than that."

Freakonomics: A Rogue Economist Explores The Hidden Side Of Everything (Steven D. Levitt, Stephen J. Dubner)

[****] ISBN: 9780060776138 (audio) ISBN: 9780060731328 (hardcover)

Steven Levitt has a warped mind. He is the rogue economist of the title, and he manages, by having such a unique perspective about so many things, to really make you think about how you see the world. And it's not just that he's just being contrarian in his world view. He applies genuine science, mathematics, and statistics to answer hard questions about the world. The unique part comes from the questions he is asking, the way he asks them, and the way he applies the science, etc. to answer them. I came away convinced that the so-called common wisdom is obviously wrong in many cases and so very easy to subvert. With the other Stephen (of the New York Times) joining in to help with the writing, these two are essentially the Mythbusters of economics (and, by implication, sociology).

You're Lucky You're Funny: How Life Becomes a Sitcom (Phil Rosenthal)

[***] ISBN: 9781597771436 (audio) ISBN: 9780452288782 (paperback)

This book is an almost perfect resource for anyone who is trying, or considering trying, to break into television scriptwriting, especially for sit-coms. For them it's really a four-star book. It's loaded with keen insight into the world of television production and writing.

It's also a four-star book for anyone who is a fan of the show Mr. Rosenthal created, Everyone Loves Raymond. It's loaded with hilarious behind-the-scenes stories about how the show came to be and the people involved.

For everyone else, it's worth at least three-stars, especially the audio edition where you get to hear the author, in his very ethnic New York voice, tell all the stories and do the voices and play some recordings. It's just plain funny.

Thanks for Tuning In (Richard Ruelas)

[***] ISBN: 9780975282212

There is a sure-fire test to find out if someone grew up in Arizona any time between 1955 and 1998. Do they remember Wallace and Ladmo? I do. So does Stephen Spielberg. This is the story of Wallace, the driving force behind It's Wallace? and The Wallace and Ladmo Show. The latter is the longest running children's television show ever.

Actually, this starts out as the story of Bill Thompson, the sparky son of a successful New York stockbroker. This early history is fascinating and tells us much about how Bill became and remained Wallace. He just never grew up.

I'm glad the author managed to get all of this information out of Wallace and his family and friends and then got it put into a structure that works. He doesn't hide any of the realities of the long and colorful life of this permanent cut-up. But he doesn't dwell on them either. The result is a lovely portrait of a beloved man behind a beloved character.

Forty Signs of Rain (Kim Stanley Robinson)

[***] ISBN: 9780553803112

This is a well-written, straight-ahead novel about a possible near future of global environmental catastrophe. There are times when it feels like the author is hitting you over the head with a two-by-four of science facts. But these can be excused because they are relevant and interesting.

The characters are well-drawn, charming, and down-to-earth. The author even manages to draw the Bush-like President in a likable, if not flattering way. The settings are mundane, yet evocative. The reader is always present in the places and the weather becomes another character.

The ending of this book is really the set-up for the next book, which makes it a bit unsatisfying. But I will definitely read the next two volumes to see where the story takes me.

Lisey's Story (Stephen King)

[***] ISBN: 9780743289412

It's hard for me to give this book three stars - 'well worth reading'. But it ultimately deserves it, as long as I can qualify the rating. This book is worth reading if you enjoy this sort of thing, or if you want to experience some unique storytelling (and haven't read much by this author, apparently). I fall in the latter camp.

The author truly took some chances here. And he largely pulled it off. Much of the story takes place inside the titular Lisey's mind as she remembers, or is forced to remember, bits of her life with her deceased husband of 25 years, the author Scott Landon. In order to do this, the story needs to jump between the present, Lisey's past with Scott, and Scott's childhood. The mechanism that King uses to do this seemed unique and mostly worked for me. The story also has to jump back and forth between the real world and an alternate world that isn't quite imaginary, but is made of the stuff of dreams and nightmares. This also worked somewhat. The widow's state of mind, along with that of other characters, is often reflected by the language used. As a whole, this worked, too. As an inspiration for how to tell stories, I found this to be a pretty rich experience. It's not your typical novel.

On the other hand, some other reviews I've seen of the book say that many of these elements, and others, are typical King. I'll have to take their word on that. My problem with the book was not that he'd done this all before, but that he did so much of it. This book did not need to be 600 pages long. I got very close to putting it down at several points. We were spending so much time with Lisey's internal monologue that I was convinced she was simply insane, would not get sane, and that the entire story was ultimately just her own fantasy. When it became clear that this was not entirely the case, that real, albeit unbelievable, events were unfolding, I was able to hang in there. But because the story turned out to be so simple, I wish the author would have stripped away about a third of the words.

This might be the sort of thing you'd like, if you like this sort of thing.