Sunday, September 10, 2006

Rum Punch (Elmore Leonard)

[***]

I'd say this was a pretty decent Elmore Leonard book. Not great. But decent. I think the trouble that I had was that it was hard to find a character to really like and identify with. I had the same trouble with the movie (Jackie Brown), but the visual style of that made it fascinating to watch. In this one, many of the characters are just plain nasty and I didn't want to spend all that much time with them.

Wednesday, September 06, 2006

Songs of Distant Earth (Arthur C. Clarke)

[***]

This is a very clever short story made novel length. What happens when ark-ships are sent to distant planets and the humans are raised by robots, along with the rest of the flora and fauna. Who decides the kind of social structure they will inherit? Who decides what kind of art and culture they get? What happens when much speedier travel is possible and their cousins from earth show up, carrying all the negative cultural and sociological baggage the ark-children were denied?

These are interesting questions, entertainingly entertained. Ultimately, the typical, liberal spin is given to everything. But the story is nicely told and most of the characters are richly drawn.

Black (Ted Dekker)

[*]

Ted Dekker is supposed to be a pretty good writer. I would not assent to that proposition based on this book. Based on the high ratings and good reviews of this work on Amazon.com, I had hoped this would be a good introduction to the author and a fun, but challenging, read. I could barely finish it.

The one thing Mr. Dekker does well here is create two distinct worlds and keep the protagonist and the reader wondering which one is real. Is it the world that seems to be our own, with all of its wars, disease and crime? Or is it the land the protagonist visits when he is sleeping (or in a coma), where evil is decidedly black and good is innocent and naive?

The problem is that I don't care. The fantasy world is not rich enough and things are too black and white. The allegory is both too obvious and too dense to penetrate. I'm not sure what the author is trying to show. Events in the real world are either too coincidental or too dependent on an almost omniscient and omnipotent antagonist. No one has that kind of power and insight. And the protagonist is too laid back for a novel. Things just happen to him, even when he's trying to be a bit assertive. I made it all the way to the end of the book, looking for something to really happen or be explained. It never was. And I don't care enough about it to pick up the other two books and spend the hours needed to read them.

Monday, September 04, 2006

Deception Pass (Earl Emerson)

[***]

This is the second or third book I've read by Mr. Emerson. He's a good writer. But this book was disappointing. The protagonist, Thomas Black, seemed a bit too goofy. There were a few too many coincidences. And there was not enough taking place at the Deception Pass of the title. I think there's enough here to make me sample this writer again.

Monday, August 07, 2006

A Bridge Too Far (Cornelius Ryan)

[***]

This is the rugged, true and tragic history of Operation: Marketgarden. Mr. Ryan does a grand job of introducing us to the men involved in this operation, from the generals down to the cooks. The only trouble is that this is the largest operation of World War II and there are just too darn many of them to keep straight. So you just have to slog forward (somewhat like they did) and trust in the author. With that in mind, you are treated to the grand sweep of the plan, the infeasibility of key parts of it and the personal cost and valor involved in attempting it. Good maps and photos, too.

Wednesday, July 05, 2006

Universal Principles of Design (William Lidwell)

[**]

There are a lot of positive reviews for this on Amazon.com. I was not impressed. I guess if you need a reference list of obvious human factors principles, this would be it. But I think it's too general to be a real reference book for any given application.

Saturday, June 24, 2006

Strange Angel (George Pendle)

[****]

The sub-title says it all: The Otherworldly Life of Rocket Scientist John Whiteside Parsons. I saw this lying on a table at the library and was fascinated by the cover, both the title and the pictures. Reading the jacket convinced me, I had to know more about this goofy mad scientist that worked on rocket engines and hung around with science fiction authors and spiritual con men at the dawn of the rocket age. I had never heard of him before and now I will never forget him.

Monday, May 29, 2006

City (Clifford Simak)

[***]

I liked this. It's really four long short stories (or three stories and a novella?) based on the premise that in the far future man has departed the earth for a better place, dogs have inherited the earth (with the help of the robots man built for them) and man has become the stuff of myth and legend.

The downside of the book is that you have to be willing to put up with early fifties anachronisms like impossible sociology (everyone moves to huge suburban estates, commutes by helicopter and communicates by television) and completely speculative science (something does live under all that gas pressure on Jupiter and man can be surgically altered to adapt to the same environment). Fascinating.

Tuesday, April 11, 2006

Tuesday, March 28, 2006

Double Star (Robert Heinlein)

[****] audiobook

Wonderful stuff. A space-opera, told in first person, about an actor caught up in political intrigue of galactic proportions (in a future imagined in 1956). The imagined martians are as anachronistic as the rockets. Still, I need to read more stuff like this.

Sunday, March 26, 2006

The Third Policeman (Flann O'Brien)

[*]

One of the few books I have started that I actually did not finish. Perhaps I would have slogged through it if I felt like I had some leisure time (that is, time to waste). But I didn't feel that way and this is certainly even more esoteric and off-beat than I was expecting. Somehow this abstract 'novel' (with no real plot, how can it really be a novel?) is referenced or related to the television show Lost. I hope I read enough to figure out how. Something about death and hell and infinite loops, but it was also supposed to be funny (in some Irish way that I didn't understand). We'll see.

P.S. I still haven't seen how this relates to Lost (11/25/06)

Thursday, March 23, 2006

Kong Unbound (edited by Karen Haber)

[***]

Some of these I skipped, but I read most. Several helped me with insights into the Kong myth and origins. Others were just personal ruminations that were fun, but irrelevent.

Tuesday, March 14, 2006

Living Dangerously: Merian C. Cooper (Mark Cotta Vaz)

[****]

This is the biography of the creator of King Kong. I had not previously known that this guy had lived a life rivaling Indiana Jones or any other adventurer. I thoroughly enjoyed this and might have to read it again. But not too soon, or I'll spoil any chance I have of writing my story about the origins of Kong.

Thursday, March 09, 2006

California Girl (T. Jefferson Parker)

[***] audio

Since we both attended the University of California at Irvine, I've been wanting to read something by this author for a long time. This had it's faults, which other, better critics have called out (the family relations were a bit contrived and clumsy, and the epic sweep did not sweep me up). But I thought the prose was grand and I loved reading about my old stomping grounds in Orange County, California.

Thursday, February 23, 2006

Robison Crusoe (Daniel Defoe)

[****] audiobook

Yes, this is the classic novel by Daniel Defoe. Yes, its old and stodgy in a way, but it's wonderful stuff. I read or heard something that said it was the original English-language novel. How did one guy get it so right? Yes, it's anachronistic. But it's also engaging and fun, especially when read aloud by someone with a British accent.

Friday, February 10, 2006

Golden Buddha (Clive Cussler and Craig Dirgo)

[*] audio

Wow! What a truly horrendous mash of contrived television-grade plots and stereotyped characters and clunky writing. How did this get published? If these guys can get a book into print, I think I can. From what I've read, this is not representative of Clive's writing. I will give him another chance. Please don't read this book.

Worlds of Wonder: How to Write Science Fiction & Fantasy (David Gerrold)

[**]

There were plenty of good tidbits and insight in here. But I was disappointed, overall. I think there was much self-indulgence in including huge sections of his own writing. And I mean huge. It was distractingly huge. Still, I think a few things crept into my brain that I will be able to use in becoming a better writer. I may have to come back and look at this again.

Tuesday, February 07, 2006

King Kong (Delos W. Lovelace)

[****]

During a busy time, I managed to squeeze in a read of the original novelization of the original King Kong movie. The main attribution is to Delos W. Lovelace, but apparently there was ample input from Merian C. Cooper and Edgar Wallace. Very fun. A few extra details and slight divergence from the film, but good to read. The best parts, though, were the Preface by Mark Cotta Vaz and the Introduction by Greg Bear. It made me go out and get Mark's book about Cooper, which I review later.

Monday, January 30, 2006

Christ the Lord - Out of Egypt (Anne Rice)

[****]

Yes, this is by the Anne Rice of vampire fame (which I have not read). It turned out to be quite different from my expectations, but I liked it. It is written entirely from the viewpoint of a seven-year-old--a seven-year-old Jesus of Nazareth, the Messiah. Anne did her research, which means the book is steeped in ancient Hebrew culture and history. It's probably a bit of a stretch for any adult to truly write from the viewpoint of a young child, much less from the viewpoint of one that is also divine. Anne may come as close as anyone could. I look forward to the next volume in the series.

Monday, January 16, 2006

Christine (Stephen King)

[***]

I had not been that attracted to Mr. King's novels before. Horror is not really my thing. But now that I've seen some of the more interesting films based on his stories (like The Green Mile and The Secret Garden) and I read his On Writing, I thought I should read one of his actual novels and see what the hubbub was about.

I did like the book (better than the movie of the same name). I'm still not sure if I can become a dyed-in-the-wool Stephen King fan. I have a later book, From a Buick 8 waiting for a future read. I guess I'll know better after that. I do think I learned a bit about storytelling from reading this book and can relate better to what he says about his craft in On Writing.