[***] ISBN: 9780975282212
There is a sure-fire test to find out if someone grew up in Arizona any time between 1955 and 1998. Do they remember Wallace and Ladmo? I do. So does Stephen Spielberg. This is the story of Wallace, the driving force behind It's Wallace? and The Wallace and Ladmo Show. The latter is the longest running children's television show ever.
Actually, this starts out as the story of Bill Thompson, the sparky son of a successful New York stockbroker. This early history is fascinating and tells us much about how Bill became and remained Wallace. He just never grew up.
I'm glad the author managed to get all of this information out of Wallace and his family and friends and then got it put into a structure that works. He doesn't hide any of the realities of the long and colorful life of this permanent cut-up. But he doesn't dwell on them either. The result is a lovely portrait of a beloved man behind a beloved character.
Sunday, September 30, 2007
Wednesday, September 26, 2007
Forty Signs of Rain (Kim Stanley Robinson)
[***] ISBN: 9780553803112
This is a well-written, straight-ahead novel about a possible near future of global environmental catastrophe. There are times when it feels like the author is hitting you over the head with a two-by-four of science facts. But these can be excused because they are relevant and interesting.
The characters are well-drawn, charming, and down-to-earth. The author even manages to draw the Bush-like President in a likable, if not flattering way. The settings are mundane, yet evocative. The reader is always present in the places and the weather becomes another character.
The ending of this book is really the set-up for the next book, which makes it a bit unsatisfying. But I will definitely read the next two volumes to see where the story takes me.
This is a well-written, straight-ahead novel about a possible near future of global environmental catastrophe. There are times when it feels like the author is hitting you over the head with a two-by-four of science facts. But these can be excused because they are relevant and interesting.
The characters are well-drawn, charming, and down-to-earth. The author even manages to draw the Bush-like President in a likable, if not flattering way. The settings are mundane, yet evocative. The reader is always present in the places and the weather becomes another character.
The ending of this book is really the set-up for the next book, which makes it a bit unsatisfying. But I will definitely read the next two volumes to see where the story takes me.
Friday, September 14, 2007
Lisey's Story (Stephen King)
[***] ISBN: 9780743289412
It's hard for me to give this book three stars - 'well worth reading'. But it ultimately deserves it, as long as I can qualify the rating. This book is worth reading if you enjoy this sort of thing, or if you want to experience some unique storytelling (and haven't read much by this author, apparently). I fall in the latter camp.
The author truly took some chances here. And he largely pulled it off. Much of the story takes place inside the titular Lisey's mind as she remembers, or is forced to remember, bits of her life with her deceased husband of 25 years, the author Scott Landon. In order to do this, the story needs to jump between the present, Lisey's past with Scott, and Scott's childhood. The mechanism that King uses to do this seemed unique and mostly worked for me. The story also has to jump back and forth between the real world and an alternate world that isn't quite imaginary, but is made of the stuff of dreams and nightmares. This also worked somewhat. The widow's state of mind, along with that of other characters, is often reflected by the language used. As a whole, this worked, too. As an inspiration for how to tell stories, I found this to be a pretty rich experience. It's not your typical novel.
On the other hand, some other reviews I've seen of the book say that many of these elements, and others, are typical King. I'll have to take their word on that. My problem with the book was not that he'd done this all before, but that he did so much of it. This book did not need to be 600 pages long. I got very close to putting it down at several points. We were spending so much time with Lisey's internal monologue that I was convinced she was simply insane, would not get sane, and that the entire story was ultimately just her own fantasy. When it became clear that this was not entirely the case, that real, albeit unbelievable, events were unfolding, I was able to hang in there. But because the story turned out to be so simple, I wish the author would have stripped away about a third of the words.
This might be the sort of thing you'd like, if you like this sort of thing.
It's hard for me to give this book three stars - 'well worth reading'. But it ultimately deserves it, as long as I can qualify the rating. This book is worth reading if you enjoy this sort of thing, or if you want to experience some unique storytelling (and haven't read much by this author, apparently). I fall in the latter camp.
The author truly took some chances here. And he largely pulled it off. Much of the story takes place inside the titular Lisey's mind as she remembers, or is forced to remember, bits of her life with her deceased husband of 25 years, the author Scott Landon. In order to do this, the story needs to jump between the present, Lisey's past with Scott, and Scott's childhood. The mechanism that King uses to do this seemed unique and mostly worked for me. The story also has to jump back and forth between the real world and an alternate world that isn't quite imaginary, but is made of the stuff of dreams and nightmares. This also worked somewhat. The widow's state of mind, along with that of other characters, is often reflected by the language used. As a whole, this worked, too. As an inspiration for how to tell stories, I found this to be a pretty rich experience. It's not your typical novel.
On the other hand, some other reviews I've seen of the book say that many of these elements, and others, are typical King. I'll have to take their word on that. My problem with the book was not that he'd done this all before, but that he did so much of it. This book did not need to be 600 pages long. I got very close to putting it down at several points. We were spending so much time with Lisey's internal monologue that I was convinced she was simply insane, would not get sane, and that the entire story was ultimately just her own fantasy. When it became clear that this was not entirely the case, that real, albeit unbelievable, events were unfolding, I was able to hang in there. But because the story turned out to be so simple, I wish the author would have stripped away about a third of the words.
This might be the sort of thing you'd like, if you like this sort of thing.
Saturday, September 08, 2007
The Making of Star Wars: The Definitive Story Behind the Original Film (Charles Lippincott)
[****] ISBN: 9780345477613
This is an amazing book documenting the amazing story of an amazing film. The big revelation for me was that George Lucas really didn't have the whole story of all of the episodes mapped out before he began the process of making the film (which is what SW lore would have you believe). Amazingly, he didn't even have the entire plot of this first film mapped out until after he started shooting (something that is not that uncommon, but I did not really comprehend) and didn't really finish it off until the end. I think I learned more about story development from following this saga than from reading any other texts on how to do it.
This is an amazing book documenting the amazing story of an amazing film. The big revelation for me was that George Lucas really didn't have the whole story of all of the episodes mapped out before he began the process of making the film (which is what SW lore would have you believe). Amazingly, he didn't even have the entire plot of this first film mapped out until after he started shooting (something that is not that uncommon, but I did not really comprehend) and didn't really finish it off until the end. I think I learned more about story development from following this saga than from reading any other texts on how to do it.
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