[***] ISBN: 9780739315231 (audio) ISBN: 9780375434303 (hardcover)
Bill Bryson grew up in the fifties in the mid-west. This is his story. I grew up in the sixties in the mid-west and west. A bunch of this is also my story.
In some ways, this is everyone's story. The whole idea of 'kidworld', with its own rules. The inexplicability of adults, especially relatives, and their world. The wonderfulness of creating your own entertainments, followed by television and popular culture taking over and defining our lives.
This is also the story of a disappearing way of life. Neighborhoods full of children playing outside, unchaperoned - vanishing. Cities full of distinctive neighborhoods, stores, and restaurants - homogenized by corporations.
I listened to the author reading his own work, and in this case, he pulled it off. Of course, it's his reminiscence. Even beneath the reading, the words were crafted with poetry and care. The book makes the people and places come alive again, in a distinctive and funny way. I do mark the book down a little (I took away a star) because there are several spots where the author turns a bit preachy on a subject or two, diverting the otherwise delightful stream of memories. Otherwise, I'd recommend this book to anyone that wants a flavor of growing up in the fifties.
Saturday, July 14, 2007
Tuesday, July 10, 2007
Orange County Choppers: The Tale of the Teutuls (Senior, Paulie, Mikie)
[***] ISBN: 9780446528016
This is a good tie-in with the show. Supposedly in their own words, the Tuetuls ('tuttles') and some of their cohorts, describe their pasts, their bikes, their show (American Chopper) and their future.
This isn't really a tell-all book. It's all been told before. But it is comprehensive and colorful, though a bit repetitive (how many times do we need to read that Senior shouts and likes old-school bikes and Paulie is mellow and likes new-school bikes?). The one fact that is not really a surprise, but is under-emphasized elsewhere is the claim that the family makes of being born-again Christians. This does ring true in many ways (they won't do bikes with booze, naked girls or devils). But sometimes the way they act makes you wonder. Then again, who says Christians are perfect (yet)?
All-in-all, a fun read for fans of the show or anyone wondering what it's all about.
This is a good tie-in with the show. Supposedly in their own words, the Tuetuls ('tuttles') and some of their cohorts, describe their pasts, their bikes, their show (American Chopper) and their future.
This isn't really a tell-all book. It's all been told before. But it is comprehensive and colorful, though a bit repetitive (how many times do we need to read that Senior shouts and likes old-school bikes and Paulie is mellow and likes new-school bikes?). The one fact that is not really a surprise, but is under-emphasized elsewhere is the claim that the family makes of being born-again Christians. This does ring true in many ways (they won't do bikes with booze, naked girls or devils). But sometimes the way they act makes you wonder. Then again, who says Christians are perfect (yet)?
All-in-all, a fun read for fans of the show or anyone wondering what it's all about.
Tuesday, July 03, 2007
It's Good to Be the King: The Seriously Funny Life of Mel Brooks (James Robert Parish)
[****] ISBN: 9780471752677
I didn't realize that Mel Brooks took his work quite so seriously. I also didn't know how hard he had to work to break into show business. I suppose I should have. Most entertainers are only overnight sensations after they put in years of hard work and paying dues.
I learned a few things about screenwriting and writing comedy, in particular. After writing a script in 30 days myself, working mornings and weekends, I thought someone that devoted full time to it would be able to knock one out in a few months. This especially seemed true of Mel Brooks movies, which seem so unrehearsed at times. But no, he took years to write most of them. And he usually did it with a writing partner or two. Comedy is probably easier to write when you have another sense of humor around to fill in your blind spots.
The biographer himself found a good structure for Mel's story and usually writes well. The text is full of attributions, but doesn't come off as a dry academic exercise. The one disappointing spot I found was the very sparse treatment given to developing Blazing Saddles. This is especially puzzling given the importance of this work in bringing Mel into the national spotlight. No matter, I recommend this to anyone that wants to learn more about this great talent.
I didn't realize that Mel Brooks took his work quite so seriously. I also didn't know how hard he had to work to break into show business. I suppose I should have. Most entertainers are only overnight sensations after they put in years of hard work and paying dues.
I learned a few things about screenwriting and writing comedy, in particular. After writing a script in 30 days myself, working mornings and weekends, I thought someone that devoted full time to it would be able to knock one out in a few months. This especially seemed true of Mel Brooks movies, which seem so unrehearsed at times. But no, he took years to write most of them. And he usually did it with a writing partner or two. Comedy is probably easier to write when you have another sense of humor around to fill in your blind spots.
The biographer himself found a good structure for Mel's story and usually writes well. The text is full of attributions, but doesn't come off as a dry academic exercise. The one disappointing spot I found was the very sparse treatment given to developing Blazing Saddles. This is especially puzzling given the importance of this work in bringing Mel into the national spotlight. No matter, I recommend this to anyone that wants to learn more about this great talent.
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